Brian Taylor

Brian Taylor

  • Field Recording
    • Lisboa wind and
    • The bells of the cows of the Alps
    • It's quite buggy up there, woodpecker
    • Chicago backyardnightscape
    • Hong Kong short mix *
    • Hummingbirds nudge
    • A brief radiator
    • Brass Register
    • Steam in the Neighborhood
    • Clicks around Nightingale
    • Swiss Park Music Walk *
    • Timberline Chasing Lights
    • Elk and Real Elk
    • Giant Old Water
    • Diving Terns
    • Overlapping Calls
    • Jetty Call
    • High Rough James
    • With The River *
  • In the Works
    • a forthcoming magazine
    • fever dia book
    • chime waxes
    • woodblock by steamroll
  • Photographic
    • Rivers moving Right to Left
    • Contact sheets
    • Treetops
    • 2000 eclipse (plates)
  • Captures
  • Text
    • Free from feet of snow. [2020]
    • Writing and text, 2008-2014
  • Sculpture
    • Wicker Medallion
    • piano stool
    • Talisman (Erotic Object)
    • We Are Alive In Our Heads
    • Cast Head-Mug Molds
    • Double Quartz
    • Back of th' head
    • Blood & Thunder Classics, Vol. 2
    • Kinks & Sleeper
    • Half-Dog
    • Archery and Wicker (Nystagmus)
    • Dog
    • Awnings
  • Duration
    • Old Story
    • Inn Th' Styll O La Noche
    • Lead Record
    • (cymbals) / (falling ice)
    • Blue Glass
    • Bookmark
    • Set Projects
  • Film and Video
  • Collaboration
    • Blind Spot
    • De Standaard newspaper work
    • Tingo
    • HEATS and rollsrolls
  • Event Documentation
    • 2024 eclipse (Ohio)
    • 2017 eclipse (Idaho)
  • News
  • Bio and contact
2015
circulating print

In summer of 2015, an intervention by Anthony Elms, Philip von Zweck, and myself was published in the Belgian newspaper De Standaard as part of A Revolution A Day. Using words written by Sam Melville (an activist and prisoner at Attica in the late 60s/early 70s) – and made perhaps more well-known by composer Fredric Rzewski. Made possible by the efforts of Lorenzo Benedetti, Patrick Ronse, Hilde Teerlinck, and Philip Van den Bossche.



© Brian Taylor

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